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2007 NAMM Report 2007 NAMM Show Report: Guitar and Bass By: Scott Kahn |
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This year’s NAMM show was a real treat for fan of ‘80s guitar virtuosity – flash is back! Ibanez led the way with more guitars in bright, hot, flashy colors than anyone, and we found ourselves wanting to own more of them than we could ever possible afford. But they were clearly not alone, as hot colors were evident almost everywhere we turned.
We had a chance to play their new Hollow T Classic that now features custom M-series pickups with a “kickback” switch that drops the hot output level to vintage levels. We loved the tonal difference provided by the pull of a tone knob – it took a very modern Telecaster-style guitar and transformed its tone to that of a vintage Telecaster, albeit a quiet one lacking in typical vintage single coil noise.
Fortunately, Robert was also showing his newest creations, the Bambino and Bambino Deluxe, priced at $2,950 and $5,500 respectively. Wow – that Deluxe belongs in the Museum of Modern Art! Happily, it’s priced so that mid-level pro players can put this beauty to use. We wouldn’t be surprised to see it embraced by a few pop and rock players, too. Some days we had a camera with us at the show and other days we didn’t. This was one of those days we should have had the camera because our friends at Carvin showed us a beautiful prototype nylon-string, acoustic, MIDI guitar! There are no publicity photos or published specs to reveal yet – it’s not even posted to the Carvin web site at the moment, but we’ve been told to expect availability by March. Fender introduced some hot guitars at Winter NAMM – “hot-rodded”, that is! The Vintage Hot Rod Series (around $1,600 street) features reissues of the ’57 and ’62 Strats, plus a ’52 Telecaster. But unlike standard reissues, these guitars feature the popular aftermarket upgrades that were particularly popular with players.
If you’re looking for our coverage of the VG Stratocaster, see our overall show innovation highlights. Gibson unveiled more than just their digital wonder at Winter NAMM. The Gibson Les Paul BFG definitely shows off a modern twist on the popular rock guitar. Two volume knobs and one tone knob may be familiar territory, but the Burstbucker 3 humbucker in the bridge and single coil P-90 in the neck make this a different sort of rock machine. Selection is made from a mini-toggle switch at the volume knobs because the traditional toggle switch has been reconfigured… as a kill switch for muting effects! If you’re looking for our coverage of Gibson's digital guitar wonder, see our overall show innovation highlights. Ernie Ball was celebrating its 20th Anniversary, too, and with that celebration came some beautiful Ball Family Reserve instruments – special limited editing versions of their guitars in very high-end figured tone woods and premium finishes. The limited edition guitars feature a special inlay at the twelfth fret. Additionally, the gorgeous, sparkly Blue Dawn finish has been brought back for a limited time, available on most Music Man instruments. The 20th Anniversary Sting Ray 5 Bass features an exclusive and brand-new pre-amp optimized to accentuate the low end frequencies while cleaning up the high end and improving sustain. We can’t wait to play one of these! Starting with the biggest hit to the wallet was the JEM 20th Anniversary Limited Edition Steve Vai Signature Model. Carrying a list price of $6,666.65, the guitar is made from a clear acrylic, has eight internal green LEDs that run for about twenty minutes from a nine-volt battery (and look very cool in the dark), plus usual JEM features – a JEM Prestige neck, DiMarzio Trans JEM pickups modified to accommodate the tonal difference in the acrylic body, and an Edge Pro bridge. Only 500 will be available worldwide (200 in the USA), so if you’re a collector (or guitar nutcase with lots of spare cash), place your order soon. I suspect these won’t stick around for long.
Ibanez introduced a ton of other new guitars and updated models including the new RG2228GK eight-string guitar – Yikes! Thought the low B string was cool on your seven-string? Now add an F# below that one! The bass line has plenty to show off, though mostly on the less expensive mid-line SR and new SRX series instruments. The SRX instruments have a clever horizontally-installed three-way pickup selector switch for the high-output alnico magnetic pickups. Prestige necks are appearing on more new Ibanez models than we’ve seen in recent years, and there are some really hot finishes on many updated RG and S-series models. And if that weren’t enough, you should check out the exotic woods being used on some of their acoustic instruments.
The instruments are standard fare, two-humbucker designs – nothing particularly noteworthy other than the nice body artwork. A nice touch though is that the cases open into an instrument stand and have a mini amplifier/speaker combo installed inside the case. For the record, John plays a custom shop Peavey bass, but it will sport the “juicy” new style during Duran Duran’s 2007 world tour.
The modern white instruments with illuminated pickup selector switches are now available in black, but more importantly, Yamaha introduced the RBX4 A2 bass guitar featuring the same construction. We’re very curious to hear how they sound, and are hopeful that the technology will find its way into some of Yamaha’s higher-end instruments. Speaking of one such case… Wes Borland has been added to the ranks of Yamaha players with a signature guitar. The CV820 WB ($2,499) has some great features beyond the cool new body shape. The back, sides, and center block are carved from a single piece of alder wood, with a maple top placed on top. The instrument also utilizes the A.I.R. technology internally. This marks the first time that custom pickups designed for an individual artist have found their way onto a production model instrument. Additionally, the guitar incorporates Yamaha’s patented Finger Clamp quick-change tremolo system that provides for easy string changes on a double-locking system without the need for tools.
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